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Download PDF Aztec Warfare: Imperial Expansion and Political Control (The Civilization of the American Indian Series)

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About the Author

Ross Hassig, a historical anthropologist specializing in Mesoamerica, is the author of Time, History, and Belief in Aztec and Colonial Mexico; Aztec Warfare: Imperial Expansion and Political Control; and Trade, Tribute, and Transportation: The Sixteenth-Century Political Economy of the Valley of Mexico.

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Product details

Series: The Civilization of the American Indian Series (Book 188)

Paperback: 424 pages

Publisher: University of Oklahoma Press; First Edition edition (September 15, 1995)

Language: English

ISBN-10: 0806127732

ISBN-13: 978-0806127736

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#403,858 in Books (See Top 100 in Books)

While Hassig's writing tends to be a bit dry, _Aztec Warfare_ has much to recommend. Its greatest merit is the organziation. The first 50-odd pages detail the socio-political organization of Meso-America in the 13th and 14th centuries, as well as the military organization and the various types of warfare practiced (ie. "flower wars" - wars waged exclusively by nobles against other nobles, and fought primarily to exert or maintain dominance, as opposed to political wars, fought with much larger numbers, with the direct aim of conquest.) By providing this context, the political history of Aztec expansion - and their eventual demise at the hands of the Spanish is made clear.The conquest of Meso-America by a handful of Europeans has long intrigued me; while disease, iron, and firearms were certainly all advantages the Spaniards possessed, it was not decisive, and I had little understanding of the political underpinnings of the region that essentially tipped the balance of power away from the Aztecs and towards the Europeans. Hassig shows how the Aztec political system - which was decentralized, provided a huge area of control at very little cost - was also fragile, as compliance within the system was voluntary and self-generated, thereby providing an opportunity for the Spaniards to exploit it for their own aims. The details are clearly made, and the bibliography is extensive. Other than a rather dry recitation of Aztec emperors (and their various conquests), the only other issue I had with the book was the quality of the maps: they are neither topographical nor geographical, but an odd amalgam of both, showing the terrain types ("passable", "rugged" or "impassable") as the Aztec empire grew. More detail in this regard would have been helpful.

This is probably the best book you can buy to get a good academic introduction to the Aztec Triple Alliance and their conquests. The book itself is written well (you won't fall asleep reading it), and the information contained within is excellently sourced and supplemented by pictures, maps, and a glossary of Nahuatl words. Hassig goes into great detail about the Aztec "home front" and does a great job explaining the nuances of mesoamerican politics and political control (one would hope so, considering the title). After that, you get a king by king and later emperor by emperor account of Aztec military history and a thorough, fair explanation of why and how the Aztecs were defeated by the Spaniards. Would recommend to anyone as a jumping off point for learning about the situation in late postclassic mesoamerica, as there really isn't a better book (that I know of) for this subject.

This book was interesting and very detailed. I found Hassig listing out detail after detail throughout the book, making it tedious. If one wants to learn about the Aztecs I would recommend this book, but don't read it expecting much discussion about the evidence.For a military historian I would rate this 5 stars. The only reason it was 3 for this was because it didn't satisfy what I was looking in specific to Aztec culture or provide much opinion.

The book is in very good condition, just as it said. I truly recommend this book shop.

Satisfied

This book is not aimed at people who divides the world between Goodies and Baddies. Spanish conquest was a conquest. That asumption is far from being obvious, since every nation in the world is not a natural fact but an artificial one which comes from conquests, blood, treasons, ruses and wedlocks. Aztecs were not a people of noble savages no matter how intense the propaganda has been in favor of that. They had created an empire with blood. They were not bereft of human dignity: they just thought that what they were doing was right.

The book is in excellent condition, I am glad I can have my own copy and that it arrived in one piece. Thank you for your services.

Hassig has provided us with an excellent account of how the Aztecs conducted warfare before the Spanish arrived and including the fight with them. The tactics are indicative of a modern army and this is a must read if you are studying the Aztec Empire. The book is very well done and offers a unique perspective on warfare. It is hard to find good information about ancient societies warfare but the Aztecs left good records. Their political systems are also scrutinized here. Highly recommend.

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Product details

Paperback: 88 pages

Publisher: Samurai Media Limited (February 8, 2017)

Language: English

ISBN-10: 9888406973

ISBN-13: 978-9888406975

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Free PDF Where the Crawdads Sing, by Delia Owens

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Amazon.com Review

An Amazon Best Book of August 2018: Although this is Delia Owens’ first novel, she long ago distinguished herself as a gifted writer. In the mid-80s, Owens co-wrote with her husband Cry of the Kalahari, which was a best-selling, nonfictional account of traveling and researching Africa’s Kalahari Desert. One of the joys of that book was the Owens’ description of the natural world, and Where the Crawdads Sing is immersed in the natural world as well. The story is set in the 1950s and revolves around a young woman named Kya Clark, who is from extremely rural North Carolina. Known by others as the Marsh Girl, she lives alone in nature—but the draw of other people, and specifically love, brings her into contact with the greater world. This novel has a mystery at its core, but it can be read on a variety of levels. There is great nature writing; there is coming of age; and there is literature. Crawdads is a story lovingly told—one that takes its time in developing its characters and setting, and in developing the story. You’ll want to relax and take your time as well, and when you’re done you will want to talk about it with another reader. – Chris Schluep , Amazon Book Review

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Review

“A painfully beautiful first novel that is at once a murder mystery, a coming-of-age narrative and a celebration of nature....Owens here surveys the desolate marshlands of the North Carolina coast through the eyes of an abandoned child. And in her isolation that child makes us open our own eyes to the secret wonders—and dangers—of her private world.”—The New York Times Book Review“Steeped in the rhythms and shadows of the coastal marshes of North Carolina’s Outer Banks, this fierce and hauntingly beautiful novel centers on...Kya’s heartbreaking story of learning to trust human connections, intertwine[d] with a gripping murder mystery, revealing savage truths. An astonishing debut.”—People“This lush mystery is perfect for fans of Barbara Kingsolver.”—Bustle“A lush debut novel, Owens delivers her mystery wrapped in gorgeous, lyrical prose. It’s clear she’s from this place—the land of the southern coasts, but also the emotional terrain—you can feel it in the pages.  A magnificent achievement, ambitious, credible and very timely.”—Alexandra Fuller, New York Times bestselling author of Don’t Let’s Go to the Dogs Tonight“Heart-wrenching...A fresh exploration of isolation and nature from a female perspective along with a compelling love story.”—Entertainment Weekly“This wonderful novel has a bit of everything—mystery, romance, and fascinating characters, all told in a story that takes place in North Carolina.”—Nicholas Sparks, New York Times bestselling author of Every Breath“Delia Owen’s gorgeous novel is both a coming-of-age tale and an engrossing whodunit.”—Real Simple“Evocative...Kya makes for an unforgettable heroine.”—Publishers Weekly“The New Southern novel...A lyrical debut.”—Southern Living“A nature-infused romance with a killer twist.”—Refinery29“Both a coming-of-age story and a mysterious account of a murder investigation told from the perspective of a young girl...Through Kya’s story, Owens explores how isolation affects human behavior, and the deep effect that rejection can have on our lives.”—Vanity Fair“Lyrical...Its appeal ris[es] from Kya’s deep connection to the place where makes her home, and to all of its creatures.”—Booklist“This beautiful, evocative novel is likely to stay with you for many days afterward....absorbing.”—AARP “Compelling, original...A mystery, a courtroom drama, a romance and a coming-of-age story, Where the Crawdads Sing is a moving, beautiful tale. Readers will remember Kya for a long, long time.”—ShelfAwareness“With prose luminous as a low-country moon, Owens weaves a compelling tale of a forgotten girl in the unforgiving coastal marshes of North Carolina. It is a murder mystery/love story/courtroom drama that readers will love, but the novel delves so much deeper into the bone and sinew of our very nature, asking often unanswerable questions, old and intractable as the marsh itself. A stunning debut!”—Christopher Scotton, author of The Secret Wisdom of the Earth“A compelling mystery with prose so luminous it can cut through the murkiest of pluff mud.”—Augusta Chronicle“Carries the rhythm of an old time ballad. It is clear Owens knows this land intimately, from the black mud sucking at footsteps to the taste of saltwater and the cry of seagulls.”—David Joy, author of The Line That Held Us

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Product details

Hardcover: 384 pages

Publisher: G.P. Putnam's Sons; First Edition, First Printing edition (August 14, 2018)

Language: English

ISBN-10: 0735219095

ISBN-13: 978-0735219090

Product Dimensions:

6.4 x 1.2 x 9.3 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

6,103 customer reviews

Amazon Best Sellers Rank:

#2 in Books (See Top 100 in Books)

Cynic that I am, with a finely-tuned Inner Critic always on high alert, it is often difficult to relax and read a book for pure pleasure, falling into the story, walking beside the characters, feeling their sun on my arms, their cold rain on my shoulders, and their emotions reaching deep and catching hold. When it happens, though, I treasure the experience, and for days, sometimes weeks afterward, I regret my return to the less-than-magical, the more mundane, and too frequently, the patently awful, books on offer.A glowing review by a friend whose opinion I generally respect enticed me to try this book, one which is really not the type I would select. But I was interested in the North Carolina setting and the premise of a “wild child” living alone in the marshes. So off I went, nose in my Kindle.I read the book in two days, reading late into the night, snatching time during the day between work and chores. Actually, the chores fell by the wayside, except for feeding my puppies. I was mesmerized, enchanted, wrung out, appalled, energized, and amazed. I dislike that last, overused word, but sometimes it’s the one that works. And when I finished, I knew this was a book I’d read again, several times, and would not easily forget.What made it so special to me? First, the writing: effortless, flowing, lyrical, and clear. I absorbed it without stumbling, without mentally substituting a better word, or revising sentence structure. Nope. It was perfect for the tale being told.Second, Kya: a child of wonder, pain, abuse, abandonment, determination, beauty, the sort more from within than without, and a resourcefulness most of us cannot imagine. Kya’s no cliché, no feral child just waiting to be rescued and rehabbed by well-meaning but clumsy individuals. She transcends those stereotypes by leaps and bounds, and when she chooses to interact with others, she does so on her own terms. I also found the transformation, subtle and something easily missed if you’re not paying attention, of Kya’s speech patterns as she grew up, losing the backwoods twang and limited vocabulary of her crazy and largely uneducated father, for an almost academic style resulting from the stacks and stacks of books she devoured.Third, the setting: marshes that are hardly the monochromatic sweeps of green and blue so favored by weekend painters to the tourist trade; lagoons swarming with color and critters; birds far more numerous and varied than the ubiquitous seagulls; fireflies [although North Carolina folks call them lightnin’ bugs] flickering on and off with their special mating codes above the marsh; mud that isn’t yucky but the habitat of insects and worms; and the ocean, the largest body of all, rolling on past the undulating marsh grasses, the switchback creeks, placid lagoons, and sugar-soft strips of sand. You can see all this, feel it in the blistering heat of summer and the chill moist fog of autumn and winter, smell the briny sharpness and the unmistakable tang of marsh mud at low tide, and hear the calls of all the birds, the waves rustling and then crashing, the wind making dead grass clatter. And what about taste? Well, there are all those grits, seeming years of grits…As always, other folks have provided the obligatory precis of the story, so go read those. I’ll simply say that the plot is not trite, it’s not one you could predict, or want to, I suspect. Neither are the characters in addition to Kya, even though one or two wear the clothes of a cliché until they morph into something else.Now here is the true evidence of this book’s power for me: I found some jarring elements, me, the reader who demands absolute historical, social, and geographical accuracy, and I just didn’t care. But here goes.The crawdads of the title are freshwater creatures, so they would not be denizens of Kya’s briny/saltwater marshes. No one in North Carolina would call them anything but crawfish; growing up in Raleigh, I played with crawfish in creeks and streams. Crawdad is a name used by folks west of the Appalachians. However, crawdads do indeed sing, according to Woody Guthrie.People who live along the coast in North Carolina small towns would never go shopping can’t in Asheville. True, you could drive from Manteo on the Outer Banks to Murphy in the state’s western tip using US Highway 64 the entire way, but it would have taken some 12 hours in the. Thus the references to Asheville as a destination for shopping struck a wrong note. So did having Kya’s meeting with her publisher in Greenville. People flying in from Big Cities Up North would have landed in Raleigh or Charlotte. Greenville didn’t have an airport in the late 1960s/early 1970s.Finally, I can’t find but one, possibly two, spots along the Atlantic coastline where Kya’s marsh sanctuary could have been located, given the detailed descriptions of boating through creeks and lagoons to the ocean. That did make me wonder if the author used her imagination without the assistance of a few topographical maps.But you know what? These minor quibbles aren’t worth a star, or even the point of a star to me, who is from NC, or to anyone else. Such is the beauty and power of this story.

I was very disappointed in this book after reading all the hype about it. While the reading is good, the story is so nonsensical- a 6 year old left alone in a shack raises herself, living in the same shack, using the same boat, and no one lifts a hand to help her? In more than 20 years, the boat never breaks down, the house doesn't need repairs and she's able to wear the same clothes for many years....she's got long hair that she says is ratty and tangled but description s of it has it down her back, luxurious...she's gorgeous but bathing is optional until in her 20s...she has sex with a philanderer but never gets a vd and not once apparently does she get sick. No flu, cold, nothing....she never got shots and apparently has the immune system of a super hero because she stepped on a nail and never got tetanus....I kept reading so I'd finish and the ending is unexpected but it's generally a boring book where day after day, she's alone in the marsh....

This is one of the most moving, caring, emotional novels I have ever read. I read this book only because I had met Delia and have read her wildlife books she wrote with husband Mark Owens. After starting the book this was all I could think about for days. Kya's life become part of mine and the characters ceased to live on the page... they were alive with me and I was in the marsh, feeling every feather - the air, creatures and the plants. Jumpin' became a trusted friend and so many moments touched my very soul. I should not have been surprised as Delia has a great style in her wildlife books that I love to read. But a novel like this is not my normal read. Maybe I need to now reconsider what I choose as this book stopped me cold and made me rethink a lot that happened in my life. Delia touched the human soul with her behavioral descriptions. She is not only a respected wildlife scientist, she is a human behaviorist and understands more about the human condition that just about anyone else I know. This is a tremendous treasure of a book and I'm sure it's staying in my read again list for a long time. Highly recommend the book.

I am extremely stingy with my compliments for good books, but this tale is well-deserving of the praise. Of the last dozen or so books I've read, only two others earned five complete stars by me: She Read to Us in the Late Afternoons: A Life in Novels by Kathleen Hill, and Circe by Madeline Miller.I have to confess that I have also had magical moments with marsh creatures such as herons, eagles, and mud turtles. Like the main character, Kya, I am a compulsive collector of treasures from those Great Rock Tumblers: the Chesapeake Bay and Atlantic Ocean which makes this book so attractive to me. However, Delia Owens' writing is more than just about the natural world. She spins a good and very well-written tale about murder, courtroom drama, nature, poetry, and even love.Another reviewer described Owens' writing as lyrical. It is. Take your time and savor every sentence.

Wow! I just finished reading Where the Crawdads Sing. And I will say it again, Wow! This books is so filled with emotion. Kya, the main character, is trying to survive by herself from a young age. She has been abandoned by those who should teach her, guide her, protect her. She has to fend for herself. Two men come into her life and teach her about the good and bad in life. I only keep few book's that I know I will read again. This is staying in my library.

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From Dead to Worse (Sookie Stackhouse/True Blood), by Charlaine Harris

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Review

Praise for #1 New York Times bestselling author Charlaine Harris’s Sookie Stackhouse novels“It’s the kind of book you look forward to reading before you go to bed, thinking you’re only going to read one chapter, and then you end up reading seven.”—Alan Ball, executive producer of True Blood“Vivid, subtle, and funny in her portrayal of southern life.”—Entertainment Weekly“Charlaine Harris has vividly imagined telepathic barmaid Sookie Stackhouse and her small-town Louisiana milieu, where humans, vampires, shapeshifters, and other sentient critters live...Her mash-up of genres is delightful, taking elements from mysteries, horror stories, and romances.”—Milwaukee Journal Sentinel“The series continues to be inventive and funny with an engaging, smart, and sexy heroine.”—The Denver Post“Blending action, romance, and comedy, Harris has created a fully functioning world so very close to our own, except, of course, for the vamps and other supernatural creatures.”—The Toronto Star

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About the Author

Charlaine Harris is the #1 New York Times bestselling author of the Sookie Stackhouse and Midnight, Texas, fantasy/mystery series and the Aurora Teagarden, Harper Connelly, and Lily Bard mystery series. Her books have inspired HBO’s True Blood, NBC’s Midnight, Texas, and the Aurora Teagarden movies for Hallmark Movies & Mysteries. She has lived in the South her entire life.

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Product details

Series: Sookie Stackhouse/True Blood (Book 8)

Mass Market Paperback: 321 pages

Publisher: Ace Books; 1st edition (March 31, 2009)

Language: English

ISBN-10: 0441017010

ISBN-13: 978-0441017010

Product Dimensions:

4.2 x 1 x 6.8 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

689 customer reviews

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I still like this series, and this book, but there are definitely some fall backs starting with this book.First off, some of the things that happen in this book seems almost rushed and thrown together. A lot of big story lines happen all at once in this, and it's a bit too much, and handled a bit sloppy, and it makes this book seem less thought out than the others to date.***Slight Spoilers***Also, the whole thing with Quinn. I like Quinn a lot, but that's not why I dislike what happened between him and Sookie. The way Sookie handled things was totally out of character in previous books, as well as books after this one. Which seems a bit unfair to Quinn.I still like this book, I just don't like the poorer choices in how things were handled and thought out, which makes it flow less smoothly with the series than the other books.Still enjoyed it overall though, and still love this series as a whole. :-)

I love the Sookie Stackhouse series. At it's best, it's a fun, campy romp through southern America with vampires, demons, fairies, and some romance. At it's worst, and this book is it's worst so far, it provides me with some silly puns to title my review with.From Dead to Worse is described by the publisher as the "pivotal eighth book" in the series. Having read the novel, I understand why. There isn't so much as a unified plot or mystery in this book as there is a series of short stories, all arranging pawns and changing plotlines for future payoff. That's what's rough about this book: there is no payoff. This makes the entire novel extremely boring as we move on from one character to the next.The writing style is great, as usual. Charlainne captures Sookie's voice and hometown with the same thrilling vocabulary we've come to expect. This book also has a "prologue" of sorts that acts as a previously-on-True-Blood type of device which was very helpful for me (I read these books at a rate of like once per year with a million other books in between).I don't really have much else to say about this novel, if you can even call it that. Another reviewer referred to it as a series of vignettes, which is much more accurate. If you are already a fan of the series, this won't turn you off of it one bit. In fact, I am more excited to read the next one because it at least seems like its possible to have an actual mystery.

Charlaine Harris' entire Southern vampire series is worth a read. The Japanese invent 'True Blood,' a synthetic substitute, which prompts vampires to create a PR campaign and come out to the public. Nevertheless, difficulties ensue, which must be overcome. Harris creates mystery, horror and even a bit of romance between humans, vampires, shapeshifters and other not so usual types. Read book one, 'Dead Until Dark,' and see if you can resist reading more. My opinion; the HBO series 'True Blood' is not nearly as interesting, nor is it as believable as the novels. Read the books.

Luckily, if you're reading the 8th book in a series, you're pretty much committed to it at this point. I don't think this book is "bad" in the sense that it would turn anyone away from a series they have thus far loved, but it's definitely mediocre, especially compared to the other books in the series. If this had been the first book in the series, I probably wouldn't have even finished it, let alone continue reading others.The problem I had with this book is that it felt like nothing happened, although quite a bit did. Everything felt so sporadic and disjointed that by the end of the book, it felt like what happened at the beginning had to have been part of a different book. There were plenty of interesting things that happened, but they were introduced so sloppily and then ended so abruptly that I just ended up feeling frustrated. The vampire war especially I felt was not given enough time. Some of the characters who died in that war deserved much more than a short mention in conversation. A lot of things that happened seemed like things the characters would never do or agree to, but they happened so that there would be a quick resolution to the situation. I found the last chapter a bit more intriguing than the others, but it was so far removed from the other storylines, like everything else in this book, that it was harder to enjoy. It really should have been the closing chapter of a previous book, since Hadley had nothing to do with anything else here.This felt like a bunch of short stories all lumped together that had nothing to do with each other except that, naturally, they all had Sookie in them. On top of that, there was no mystery whatsoever. Usually, I'm trying to figure something out while I'm reading, but there was simply nothing to try to figure out here. It almost felt like a first hand narrative of some historical event rather than the present story telling that I've grown accustomed to in these novels. To me, this didn't even feel like a bridge novel to tie up loose ends. It felt like lazy writing, and as a fan, I expect much more than that. Will I continue reading the series? Absolutely. But I pray that the other books are significantly better than this one.

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From Dead to Worse (Sookie Stackhouse/True Blood), by Charlaine Harris PDF

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From Dead to Worse (Sookie Stackhouse/True Blood), by Charlaine Harris PDF

From Dead to Worse (Sookie Stackhouse/True Blood), by Charlaine Harris PDF