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The Great British Recording Studios, by Howard Massey
Get Free Ebook The Great British Recording Studios, by Howard Massey
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Review
"One of the most important books ever written about recording ... a treasure trove of information about the British studio scene during its most explosive period of growth." --Malcolm Atkin, Chair, Association of Professional Recording Services''The Great British Recording Studios is a sweeping account of the golden age of UK recording. In it, author Howard Massey chronicles the cultural forces and technological innovations that shaped the sound of landmark records by The Beatles, The Who, the Rolling Stones, and many others. His profiles of iconic studios from Abbey Road to AIR to Olympic leave no stone unturned detailing everything from construction history to equipment lists to discographies to sessions anecdotes, including vintage marketing materials and many never-before-seen photos.'' --Electronic Musician Magazine''Let's not mince words. As a touring musician-producer-engineer-author-music journalist, Howard Massey is uniquely qualified to do what he has accomplished in writing The Great British Recording Studios. He has documented the definitive history of the British recording studios that brought the art of sound recording to a level that spurred, and was spurred by, a breathtaking outpouring of musical creativity in the 1960s and '70s—led, of course, by The Beatles and their insatiable curiosity regarding sound and sonic effects....Too much praise cannot greet The Great British Recording Studios. An invaluable historical document, and also one rousing ride through the most incredible musical era of the 20th Century. This book has it all. Mark it essential.'' - Mix Magazine''With a foreword by Sir George Martin, former musician-producer Howard Massey has constructed an exhaustive, beautifully presented account of very major studio from those seminal times, giving detailed histories, discographies, layouts, technical breakdown and over 100 memories from the artists and production staff who used them...With most of these studios now gone, this is the first time anyone has attempted such a project. This fascinating tome will now stand as the definitive account.'' - Prog Magazine
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From the Inside Flap
From the time that Thomas Alva Edison invented the phonograph, music has become an integral part of everyday life. The so-called "British Invasion" of the 1960s and 1970s spearheaded what was inarguably one of the most important and creative periods in the development of recorded music. The Great British Recording Studios tells the story of the iconic English recording studios of that era--places such as Abbey Road, Olympic, Trident, AIR, Advision, Island, and Apple--and provides a sweeping panorama of the people, places, groundbreaking techniques, and innovative artists and technicians who shaped the course of modern recording. Meticulously researched and richly detailed, The Great British Recording Studios provides comprehensive information about the history, construction techniques, acoustic treatments, room dimensions, and equipment used by the key English studios during those heady times, supplemented with many never before published photographs and more than a hundred entertaining "Stories from the Studio" that take the reader behind the scenes of the making of some of the world's best-loved records. The Great British Recording Studios is endorsed by and was written with the cooperation of the UK-based Association of Professional Recording Services, headed by Sir George Martin.  Â
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Product details
Hardcover: 376 pages
Publisher: Hal Leonard (October 1, 2015)
Language: English
ISBN-10: 9781458421975
ISBN-13: 978-1458421975
ASIN: 145842197X
Product Dimensions:
8.4 x 1 x 10.4 inches
Shipping Weight: 2.9 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
34 customer reviews
Amazon Best Sellers Rank:
#143,321 in Books (See Top 100 in Books)
I was interested in learning about various key recording studios, the gear they had, the room layouts and dimensions and sound treatments, the people who ran the sessions and their techniques. The two main books that came up were this book (TGBRS) by Howard Massey, dealing with British studios, and "Temples of Sound" (TOS) by Jim Cogan and William Clark, which is about American studios. TOS was published in 2003 while TGBRS was published in 2015. Now that I've read them both, I can make some comments. Both books are easy and enjoyable to read. My only gripe with both books is that I wish the lists of important recordings made at each studio was significantly longer.The initial idea for TOS was a photo book of great musicians in the recording studio creating their masterpieces. There are a lot of photos and they capture the feeling of being there. Each chapter is 8-15 pages dedicated to one studio: Capitol, United Western Recorders, Sunset Sound, RCA Studio B, Stax, Sun Studios, J&M, Chess, Universal, Motown, Sigma, Atlantic, Columbia, Van Gelder, Criteria. You get a brief history focusing on the biggest stars, producers, engineers. Little focus is on the gear, room and treatments, and techniques used to record. It's more about the people and the times, and not how the classic recordings were made (from a technical or engineer pov). A nice feature is a list of 12 "essential" songs that were recorded in each studio. This book has become very hard to find and very expensive (maybe it's out of print?). I'm glad I did not pay more than $20 for it (I found a mint condition ex-library book copy via Amazon.ca third-party vendor), as I probably could have found all its information by searching the internet.TGBRS is a far more thorough book and more about the building, rooms, gear, engineers and their techniques than it is about the famous artists. This information is not so easily found on the internet, and it's collected here very nicely. The studios covered in this book are: Abbey Road (EMI), Decca, Pye, Philips, IBC, LAnsdowne, Advision, CTS / The Music Centre, Holloway Road, Olympic, trident, AIR, LEvy's / CBS / Whitfield Street, Star Sound / Audio International, De Lane Lea / Kingsway, Ryemuse / Mayfair, Marquee, Sound Techniques, Wessex, Morgan, Chappell, Chalk Farm, Apple, Island / Basing Street, Pathway, The Manor, Scorpio Sound, Chipping Norton, Ramport, Sarm, Sawmills, Roundhouse, RAK, Utopia, Good Earth, Matrix, Townhouse, Ridge Farm, Odyssey. Also covered are these mobile studios: Rolling Stones, Pye, Ronnie Lane, Manor, Island, RAK, Maison Rouge. The mobiles section is very interesting and a nice addition. It would have been nice to read about American equivalents, had it been included in TOS.In TGBRS, the information for each facility follows the same sequence, which is a nice organizational touch: history of the building and studio, key personal, physical facilities, acoustic treatments, room dimensions, echo chambers, key equipment, mixing consoles, monitors, tape machines, main microphones, outboard signal processors, key technical innovations, selected discography. There's obviously more information and pages dedicated to the larger studios but the book seems to have balanced it out well.TGBRC gives you a lot more information than TOS. The 14-page Introduction is an excellent summary of the origins and history of British recording studios, as well as an explanation of the difference between the British and American recordings. The history and explanations of all the equipment and technical gear (microphones, monitors, tape machines, outboard signal processors, reverb plates, mixing consoles, etc.) is given, and it's excellent. Lots of inside stories about key recordings and techniques. At the end of the book is a glossary of technical terms.Oddly enough, TGBRS is written by an American, Howard Massey, who has already published two other excellent books called Behind the Glass, Volumes 1 & 2, full of interviews with important recording engineers. All these books are highly recommended for music history buffs and musicians with home studios.
Hands down the best book on the subject! Perhaps the only book of its kind.Massey said in an interview that he spent 10 years researching this book and it shows. The book is very detailed and very well written. Massey has a template to describing the history of each of the major recording studios in Britain of the day to a given studio's engineers, associated staff, facility dimensions, acoustic treatments, consoles, monitors, microphones, signal processing equipment, tape machines, developed innovations interspersed with lite hearted stories by studio staff that are rather comical.Massey has produced an outstanding documentation of the mechanism behind the creation of the English Pop music of 60s, 70s, and 80s that has become so integral to our every lives. This book should be Ken Burns next series. It's that good!If your are a musician, recording enthusiast, or audio gearhead, this book is for you. You won't be disappointed.
"Suddenly, good sounds were being made in good studios. Not just from the big boys like EMI and Decca, but also in little independent studios that gave free rein to their clients." George Martin."A recording studio is an immediate imposition as compared to sitting around a fire strumming." Robert Plant.I know this book has been around a few years and has been reviewed, but I was looking up some information I needed and was again struck on how great this book is, so I couldn't help but add my comments about this fine book.Not only laid out nicely, this book covers the major and minor studios, that if you read the back of album covers or CD inserts, you''ll recognize quite a few of the studios in this book. Filled with both general and more technical information (which you can skip unless you're an audio engineer and/or even more of a recording information nerd than I am) there's also a lot of great photos that give you an idea of what these studios were like. Plus at the end of each essay there's a list of important artists/recordings that were done at that particular studio.This book's information runs the gamut from general information that's easy to understand to more esoteric stuff (different mixing consoles, monitors, signal processors, etc.) that mean relatively little to someone like me, or things like a de-emphasis curve chart (as an example) which, while important aren't the real reason I like this book. Having for years read the names of studios like EMI, Decca, Phillips, Trident, AIR, and other well known studio names, along with other smaller studios like De Lane Lea, Morgan, Chalk Farm, Island, The Manor, RAK, Roundhouse, and others, it's great to be able to see these studios in photos (and a number of artists in the studios you'll recognize) and read about these places of seemingly audio magic. Plus the various mobile studios are included, like The Rolling Stones Mobile, Pye Mobile, Ronnie Lane Mobile, and several others which are also important in the history of British recording.There's a glossary and index included, both valuable to have for quicker reference. Also throughout the book are interesting and informative sections called "Stories From The Studio" which add both more information to the general body of information and are pretty interesting to read on their own. The many b& w photos (and some color) are very important for a better understanding and feel of each studio. If you're the type of person (like me) who likes to know how recordings are made (and you like other books about how albums are manufactured for example) this book will add a lot of interesting information about all the places where so much great music has been recorded. These studios represented the hey-day of British recording and this book does justice to that era. Worth adding to your library.
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